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I crack up every time I'm getting to see them live and someone wheezes any variation on "I cannot wait to get my fill of.HEALTH!" (How did these guys resist- especially since, like certain fellow Californians Zach Hill and Spencer Seim, they share a love for maniac percussion and Nintendosonics- giving themselves the pseudo-metal moniker Hellth?) It's so undangerous and sub-ironics that it seems to circle back around to being scary, snide, and nihilist. “I hope they dig around a little bit and get turned on to Daniel’s music.Quote Funniest band name ever (this week only). “There are so many people who are really into the bands on this CD,” Linkous says. Ward’s somber reading of “Story of an Artist.” But as good as the covers are, the record’s true innovation is the bonus disc of original recordings-a rarity for tribute compilations, and a real treat for Johnston fans since so many of his songs were previously available only on first runs of his cassettes.
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“Can you imagine what it would have done for Daniel to have someone like Bowie say how special he is?” Linkous asks.Įach artist brings an original interpretation to this intensely personal body of work-from Beck’s Dylanesque interpretation of “Things Take a Long Time” to M. At one point, David Bowie-a longtime fan-even agreed to write the album’s liner notes, but the plan fell through when his summer tour became too much to schedule around. Linkous had no trouble recruiting participation acts ranging from Tom Waits to Death Cab for Cutie signed on for the project. It’s like a baby crying in the night.” The Flaming Lips are just one of a rich cadre of artists to appear on The Late Great Daniel Johnston: Discovered, Covered - a long overdue tribute to Johnston released by Gammon records and produced by Sparklehorse’s Mark Linkous. “With Daniel, you hear that thing that makes a person say, ‘I want to sing’ in its purest form. “I really like the whole thing about a guy who works at McDonalds and makes his own tapes,” says Flaming Lips frontman Wayne Coyne. These Songs of Pain anthologies quickly became the cherished stuff of indie-rock legend, with everyone from Sonic Youth to Yo La Tengo singing his praises and covering his songs. Each was adorned with his equally distinctive artwork-recurring images of alien frogs, multi-armed boxers and Casper the Friendly Ghost. Standing outside of rock clubs in his hometown of Austin, Texas, he’d hand out self-made cassettes to anyone willing to listen. Johnston earned what little fame he has one tape at a time. Amidst tape hiss and sometimes muffled accompaniment, his endearing, childlike voice wraps the simplest of truths around luscious pop melodies. There’s no doubt he’s odd, but repeated listenings reveal a startling talent to those patient enough to listen for it. Tape speed does often change mid chorus, songs are edited with the stop and start of a pause button and lyrics run the gamut from bizarre ramblings about King Kong and Captain America to heartbreaking accounts of what it’s like living life as a diagnosed manic depressive. The rawness of Daniel’s music can be harsh for new listeners. It broke when he was recording his seminal album, Hi How Are You? “That’s why you’ll notice the tape speed changes on that record,” he says.
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“It was the best tape recorder I ever had,” he says wistfully.
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For years, his “home studio” was nothing more than a portable Dictaphone, into which he strummed his guitar and sang. Perhaps more so than any other artist, Daniel Johnston embodies the do-it-yourself ethos of punk rock.